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Happy Birthday, John Waters

“Get more out of life. See a fucked up movie.” – John Waters

It’s cult film icon, hitchhiking enthusiast and all-around cool cat John Waters’ 75th birthday today (4/22), and as a gift to us, he’s released a 7″ via the Sub Pop Singles Club. The 7″ features “Prayer to Pasolini,” his tribute to the legendary Italian filmmaker Pier Paolo Pasolini whose final film was 1975’s still-controversial classic Salò o le 120 giornate di Sodoma. There’s a pretty great story here, as Sub Pop’s liner notes explain:

“The single was recorded at a small park in the wetlands near Rome’s airport, where a monument stands in Pasolini’s honor. It was here that Pasolini was run over multiple times with his own car by a hustler, after having his testicles deliberately crushed by his murderer.”

The recordings were made with Waters’ long-time colleague and friend, Grammy-winning producer and author, Ian Brennan (Tinariwen, Zomba Prison Project, Ramblin’ Jack Elliott). That it happened in the middle of the COVID-19 crisis only made it more surreal.

Waters and company arrived to find the site fenced and seemingly padlocked. Fortuitously, Brennan had bought wire-cutting tools just for the occasion, but they were ultimately not needed.

As Brennan recorded industrial, wind, and bird sounds, John concentrated on the healing, nearly ironic religious experience of being there.

The area is industrialized, but remains potentially more primitive than during the Roman Empire era, when it acted as the main port. Some of its ruins still stand. During Pasolini’s neorealist heyday, prostitutes were drawn by the area’s remoteness. The prostitutes were nicknamed “fireflies,” for the image created as they puffed cigarettes in the dark.

Waters’ and Pasolini’s careers overlapped, with their most notorious films — Pink Flamingos and Salo, or the 120 Days of Sodom, respectively — being released and banned in the first half of the 1970s, in large part for featuring scenes of actors eating shit. Waters says that the only difference was that in Pink Flamingos (which pre-dates Pasolini’s Salo by more than three-and-a-half years), Divine ate actual shit, while the Italian actors used chocolate.

“But I don’t hold it against them,” Waters quips.

You can listen to John Waters’ Sub Pop 7″ below and you can subscribe to the Sub Pop Singles Club here.

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