Back in the mid-’90s, a small, counter-culture record label named Man’s Ruin was a hot topic among Rock’s underground music scene. Lead by artist Frank Kozik, Man’s Ruin Records focused on putting the artists first. Profits were split 50/50 and artists retained the rights to their music. It was a formula that attracted bands from all over the country. But as quickly as it started, Man’s Ruin shut down… read more >
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